My Representation

“Whenever we read an Armenian news story or hear of an Armenian who’s reached the highest echelons of success, let us not dismiss each report with a glance and flip of the page. Let us think of what has brought these people into the news. Let us imagine their lives, their sorrows, their happiness, and their identity as humans and Armenians alike.”

– KARMUN KHOO in The Armenite article: “Learning Armenian: The Art of Telling An Armenian Story” 

Armenians have a hidden, rich, and dense history within American society and culture. Whether that be due to dispersion from the 1915 Armenian Genocide or through immigration to the US in hopes of achieving the American Dream, Armenians are everywhere. Like many other Caucasus regions and Middle Eastern ethnicities, Armenians have gravitated towards Los Angeles and New York in hopes of accelerating in vast and robust cities, an escape from the homeland due to ethnic cleansing, poor politics, and leadership, and hopes for a better life for their families. America has always been the ideal place to thrive, idolize, follow dreams, adapt quickly, and call home. Like America, we value storytelling deeply. Armenian culture is always present and translated into storytelling, as it becomes one of the best ways to preserve and remember a culture—a fear Armenians have. The only way to contain a story in storytelling is to keep it in our minds and translate it visually within film. 

A Glimpse of America heavily relies on the entertainment being produced. As American entertainment became the backbone for media and that glimpse of American culture either overseas or within the country, entertainment exists and thrives here in the US. Therefore, like any other powerful and seemingly relevant culture, it immensely impacts the media and communication. So, how a group of people are portrayed is implicitly understood as true. This video is meant to shed light on how Armenian representation within American media is unjust and inaccurately portrayed—often depicted through stereotypical and two-dimensional characters. We have become a part of a trend of ethnicity that is often associated with weird, vile, and degrading labels within the media. According to the UCLA Hollywood Diversity Report, show creators that are of MENA background are low: 

“In digital, show creators’ race/ethnicity breaks down as follows for the 2021-22 season: Asian (3.55 percent), Black (12.26 percent), Latinx (2.90 percent), MENA (1.29 percent), multiracial (4.84 percent), Native (0.65 percent), and White (74.52 percent). Of the nine Latinx show creators, one was Black Latinx. Of the eleven Asian show creators, four were South Asian” (Rámon et al., 2023). 

The report analyzes creators and leads within the industry that reflect the racial categories within each entertainment sector. Middle Eastern and North African individuals are consistently nearly invisible regarding writers, producers, and directors. 

The films and television shows listed within the blog posts and edited within the video are just examples of how Hollywood utilizes “casual” racism. These negative perceptions harm our community and communities alike. Lily Torosyan, in her article for h-pem: “From blackface to ‘filthy Armenians: A commentary on Hollywood’s casual racism:” depicts the types of shows and movies that degrasse Armenians and shares her thoughts on the subject: 

“As a people who have survived a genocide, we know what it is like to be betrayed by our government and to lose our human rights. And, as the descendants of these survivors, we take offense to the ways in which we are defined on screen—ways that, for example, portray us as unhygienic, deranged rapists. Simply put, racism is never “casual.” Though often touted as the world’s most effective “soft power” tool, Hollywood perhaps earns too much credit for simply wielding the tides of public sentiment and established values of the time. In the early 20th century, Armenian Americans fought tooth and nail for acceptance as a viable minority group, overcoming racist policies that sought to exclude them from society at large. The films and shows in this article are inevitable products of the historically negative perceptions of Armenians in American society” (Torosyan, 2019). 

Armenians are a testimony of the resiliency of the human spirit. The constant struggle of fear from ethnic cleansing to not being taken seriously in American society and especially within wide recognition within entertainment we feel invisible. 

As someone who loves films and television, this lack that I have noticed drove me to make this statement video. From my previous experience of working on entertainment projects and my time as a college student, I was encouraged to develop profound content for our community while learning the discipline and passion it takes to execute such tasks. I aimed to share and stress our culture’s beauty while highlighting and bringing awareness to members of the Armenian community, who are often dismissed due to traditional norms.

 It brought me to understand the reasoning as to why we need to improve in the industry. To answer the question of how Armenian filmmakers can reshape our culture’s depiction in American media, Supporting Armenian filmmakers is the first step to battle this issue by watching Armenian stories made by Armenian filmmakers.

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Sources: 

https://www.h-pem.com/en/analysis/2019/01/27/hollywood-casual-racism-armenian-blackface/13/

Video credits (in order): 

Trevor Noah: Trump Confidently Declares Himself a “Stable Genius”: The Daily Show https://youtu.be/bbD_gKexiZw?si=48lqxEBD8SRR1vJP

Sopranos S06E08 – “Drama”

Magic Mike XXL (2015)

#BlackAF (2020) – S01E02 “because of slavery too”

American Dad! – S04E13 “Jack’s Back” 

American Dad! – S09E07 “Faking Bad”

Family Guy – S15E12 “Peter’s Def Jam”

The Simpsons – S23E22 “Lisa Goes Gaga” 

Chernobyl (2019)

Weeds – S06E11 “Viking Pride” 

Family Guy – S11E23 “No Country Club for Old Men” 

The Color of Pomegranates (1969)

Rosali (2023) 

The Men (1973)

Lost & Found in Armenia (2012)

Ote, Tote, Tvanki Kote (2023) 

Amerikatsi (2023) 

Lengthy Night (2018)

Back to Ashtarak (2023)

Armenian Papers (2023)

Wounds of War (2023) 

250KM (2023)

Parev Mama (2020) 

No Thanks (2023) 

Aurora’s Sunrise (2023)

Should the Wind Drop (2023) 

Tevanik (2014)

Taniel (2018) 

Vodka Lemon (2003) 

Women in Black (2023) 

Arshile Gorky Ararat Excerpts (2014) 

Song – Artsakh by Ara Gevorgyan

Orchestrated Horror

The United States’ involvement with the Middle East after the 9/11 attacks reflected failed deterrence and counterterrorism, destabilizing the region, inability to distinguish between civilians and combatants, and attempts to push democracy, leading to the country’s distaste and attitudes. Illegally detaining Iraqi citizens adds to the list of how our military can abuse its power. 

This image is one of the most infamous images that reflected the horrors and abuse committed by the United States Army and Central Intelligence Agency to Iraqi prisoners at the Abu Ghraib prison. The series of human rights violations and war crimes committed by the US Army and CIA during the early stages of the Iraq war were under the Bush administration. Fueled by the DOJ, Donald Rumsfeld, Secretary of Defense, and Janis Karpinski, chief officer of the US Army Reserve, allowed immense torture, corruption, and atrocities of innocent and illegally captured Iraqi civilians. 

This image and other abuse and torture photographic evidence that resurfaced in 2003 by an army personnel whistleblower publicized these photos and shocked the world. The image of the prisoner is known as Abdou Hussain Saad Faleh, who, along with the other thousands of prisoners, was subjected to humiliation, physical and sexual abuse, and psychological torture by American soldiers. He is pictured standing on a food ration box, with electrodes attached to his fingertips, neck, and genitals. He is wearing a cloak on his body and a trash bag on his face, posing with his arms resembling Jesus on the cross. 

The photo manipulation I created was to show how the photographic torture of Abu Ghraib under Google Images is always censored or pixelated due to its sensitive and disturbing nature. This translates to how its complexity and purpose of being censored reflect how an act so awful and obscene can become committed by a group of individuals meant to protect us. I added images of the prison scandal, army generals, US involvement in Iraq, Guantanamo Bay, and Saddam Hussein and George W. Bush in each pixel. This new interpretation of the image symbolizes every intricate detail sadistic individuals orchestrated how every image represents one horror to another meant to be covered, hidden, or forgotten about to protect the image and reputation of the United States. 

Original Image: known as Abdou Hussain Saad Faleh, photographer unknown

Manipulated Image:

Dropbox of images